STUDY DAY, organized by Artec, Paris 8 and ensad. 02/05/2025
Musical theatre.
Dynamic ideography, a writing of movement. Animated signs and animation cinema as composition and direction languages for music and for the stage.
To what extent can a language of dynamic ideograms, using tools derived from animation, be integrated into musical and stage composition and how can this type of device be involved in the compositional and performative process?
We will see, building on the experiences of Gustavo Almenara and Romain Blanc-Tailleur around the 'The Animated Score' device, how the design and integration of dynamic signs based on the pure expression of movement can redefine writing and performance in the fields of music, dance, scenography.
Musical theatre.
Dynamic ideography, a writing of movement. Animated signs and animation cinema as composition and direction languages for music and for the stage.
To what extent can a language of dynamic ideograms, using tools derived from animation, be integrated into musical and stage composition and how can this type of device be involved in the compositional and performative process?
We will see, building on the experiences of Gustavo Almenara and Romain Blanc-Tailleur around the 'The Animated Score' device, how the design and integration of dynamic signs based on the pure expression of movement can redefine writing and performance in the fields of music, dance, scenography.
Passed events :
COLLOQUE, Gustave Eiffel University, Marne la vallée. 14-15/10/2021
Radicality. Think of the boundary in creation in the 20th and 21st centuries.
Leading musical or danced performance using kinetic and dynamic sound notations. Presentation of a group of dynamic ideograms based on the pure expression of the movement, accompanied by a performance by Romain Blanc-Tailleur, Gustavo Almenara and Olivier Innocenti featuring 2 improvised pieces around the “animated score” device.
Radicality. Think of the boundary in creation in the 20th and 21st centuries.
Leading musical or danced performance using kinetic and dynamic sound notations. Presentation of a group of dynamic ideograms based on the pure expression of the movement, accompanied by a performance by Romain Blanc-Tailleur, Gustavo Almenara and Olivier Innocenti featuring 2 improvised pieces around the “animated score” device.
STUDY DAY - concert and workshop, Conservatoire Val Maubue Noisiel, 06/04/2022
As part of the tenteen creation 2022, a series of workshops carried out with Les étudiants du Master Musique et Production musicale de l’Université Gustave Eiffel and the students of the conservatory (CRD Val Maubué) around instrumental and ensemble practices using animated scores. In collaboration with Lenka Stransky, Gustavo Almenara.
As part of the tenteen creation 2022, a series of workshops carried out with Les étudiants du Master Musique et Production musicale de l’Université Gustave Eiffel and the students of the conservatory (CRD Val Maubué) around instrumental and ensemble practices using animated scores. In collaboration with Lenka Stransky, Gustavo Almenara.
STUDY DAY - concert and workshop, Nina Simone Pontault-Combeault Conservatory, 06/04/2022
In the context of the 10th century
The term graphic notations appears in the 1950s. Unlike scores intraditional musical notation, each graphic score becomes a totally original work, composed of unconventional and versatile graphics, derived from relationships
between sound and visual.
In the context of the 10th century
The term graphic notations appears in the 1950s. Unlike scores intraditional musical notation, each graphic score becomes a totally original work, composed of unconventional and versatile graphics, derived from relationships
between sound and visual.
PUBLICATION of an article by Lenka Stransky in the book “Movement”. 01/06/2021
Castanet, Pierre Albert and Stransky, Lenka - Movement, Cinetics and dynamic models in music and visual arts, Delatour 2021
Exhaustive article written by musicologist Lenka Stransky, specializing in graphic scores, describing precisely and setting an aesthetic and critical position on the "Animated Score" scheme set up by Gustavo Almenara and Romain Blanc-Tailleur.
Castanet, Pierre Albert and Stransky, Lenka - Movement, Cinetics and dynamic models in music and visual arts, Delatour 2021
Exhaustive article written by musicologist Lenka Stransky, specializing in graphic scores, describing precisely and setting an aesthetic and critical position on the "Animated Score" scheme set up by Gustavo Almenara and Romain Blanc-Tailleur.
BAINS NUMERIQUES D'ENGHIEN - Conference and Performance. 14/06/2018
After poetry, painting and filmmaking, it is digital art that embarks on the ultimate quest for synesthesias: seeing sound, hearing the image. Between music and animation, the Animated Score offers a singular experience that plunges the public into the heart of musical creation.
After poetry, painting and filmmaking, it is digital art that embarks on the ultimate quest for synesthesias: seeing sound, hearing the image. Between music and animation, the Animated Score offers a singular experience that plunges the public into the heart of musical creation.
PARTITION#2 - Conference and Performance,
Le cube, digital creation centre, Issy les Moulineaux 21/12/2017
Animated score: a moving graphic writing, dynamic ideography. This new quality induces a temporal perception of the sign for those who read, interpret or improvise, and makes it a vector of understanding of their very matter: the expression of movement. It becomes a structuring tool of writing or direction, the engine of improvisation, revealing the inner landscape of the interpreter.
Le cube, digital creation centre, Issy les Moulineaux 21/12/2017
Animated score: a moving graphic writing, dynamic ideography. This new quality induces a temporal perception of the sign for those who read, interpret or improvise, and makes it a vector of understanding of their very matter: the expression of movement. It becomes a structuring tool of writing or direction, the engine of improvisation, revealing the inner landscape of the interpreter.
DAY OF STUDY concert and workshop, 20/04/2017
Dynamic models in contemporary musical creation and pedagogy.
Concerting conference for the first day of the 2017 aCROSS festival. The theme of the symposium "Mouvement : thought, experience, models” aims to highlight the links between theoretical and technological research on this theme, and the pedagogical or artistic applications resulting from this research. Its purpose is to facilitate exchanges between artistic teaching, research and creation.
Dynamic models in contemporary musical creation and pedagogy.
Concerting conference for the first day of the 2017 aCROSS festival. The theme of the symposium "Mouvement : thought, experience, models” aims to highlight the links between theoretical and technological research on this theme, and the pedagogical or artistic applications resulting from this research. Its purpose is to facilitate exchanges between artistic teaching, research and creation.